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Dec 05
Love0
benefits of dance in young people

For the love of dance

By children's health, dance & Art, Mental health, Music and singing, play, Theatre

Learning to dance is not just about mastering choreography or moving to the rhythm; it offers numerous physical, emotional and cognitive benefits, making it a valuable and enjoyable activity for children.

Here are some compelling reasons why children should learn to dance:

• Physical fitness
Dance is an excellent form of physical exercise that helps children develop strength, flexibility, and co-ordination. It promotes cardiovascular health, enhances muscle tone, and aids in maintaining a healthy body weight. Regular dancing can instill healthy habits that may last a lifetime.

• Motor skills development
Dancing requires precise movements and control of various body parts. As children learn different dance styles, they improve their fine and gross motor skills, which are essential for everyday activities like writing, playing sports, and self-care.

• Balance and posture
Dance teaches children how to maintain good posture and balance. These skills are not only beneficial for their physical wellbeing but also for their overall self-confidence and how they carry themselves in everyday life.

• Self-expression
Dance provides a creative outlet for children to express their emotions and feelings. It allows them to communicate without words, helping them develop emotional intelligence and self-awareness. Dance can also be very therapeutic and a great way for children to process their emotions.

• Confidence building
As children learn and perform dance routines, they gain self-assurance. The applause and positive feedback they receive boost their self-esteem and help them become more comfortable in social situations.

• Social skills
Dance classes often involve group activities and performances, which encourage teamwork and co-operation. Children learn to work together, support each other, and build friendships through shared experiences.

• Discipline and focus
Dance requires discipline and concentration. Learning complex choreography and striving for improvement instills a strong work ethic in children. They also learn the value of patience and practice as they work towards mastering dance techniques.

• Cultural awareness
Dance is a global language that transcends borders and cultures. By learning different dance styles, children gain an appreciation for the diversity of world cultures and traditions. This exposure can promote tolerance and open-mindedness.

• Stress reduction
Dancing is a joyful and fun activity that can act as a stress reliever. It allows children to forget their worries, even if just for a little while, and experience the joy of movement and music.

• Boosted memory and cognitive skills
Dance involves memorising sequences, steps and patterns, which can improve memory and cognitive function. It challenges the brain and enhances problem-solving abilities and cognitive flexibility.

• Creativity and imagination
Dance encourages creativity and imagination. Children often have the opportunity to choreograph their movements, fostering creativity and critical thinking.

• Lifelong love for the arts
Early exposure to dance can cultivate a lifelong appreciation for the arts. It may inspire children to explore other artistic forms such as music, theatre or visual arts.

• Career opportunities
For some children, dance can become a lifelong passion and even a career. Professional dance opportunities include becoming a dancer, choreographer, dance instructor or even working in the entertainment industry.

So, learning to dance is definitely not just about the physical movements; it’s about developing a holistic set of skills that benefit children in various aspects of their lives. It nurtures their physical health, emotional wellbeing and cognitive development while fostering self-expression, discipline and a lifelong love for the art form. Whether dancing for fun, self-expression or professional aspirations, the benefits of dance make it a valuable addition to any child’s life.

Nov 07
Love0
panto time

Panto time – oh yes it is!

By Christmas, dance & Art, Mental health, Music and singing, Playing, Relationships, Theatre
by Nicola Thornton
Ropetackle Arts Centre

Where’s the one place you can take all the family at Christmas and be guaranteed they will crack a smile, even those that don’t like smiling? (I’m looking at you, too-cool teenagers!)

Yes, it’s the Christmas pantomime! An explosion of noise, dry-ice, jokes, music, cheesy scripts, creaking sets and gaudy costumes that any other time of year might have us running for the hills, but at Christmas it is suddenly the best thing you’ll ever do.

panto sussexIt starts the minute you arrive at the venue. The staff and volunteers all have bright eyes and wide grins that actually look genuine, the café or kiosk is serving Christmas-themed cookies and cupcakes and Christmas pudding flavoured ice-cream. The bar is serving large glasses of everything, including delicious mulled wine. The smell of excited anticipation is everywhere.

As you take your seat, the questions start. Child number 1: “What’s behind that curtain?” Child number 2: “I think I do want to go to the loo now, can you please take me?” Spouse: “Have you got a wet-wipe?” Grandparent: “Are you sure you won’t get a parking ticket?”
Teen: “Why am I here again?”

As you answer them all with a wide grin that looks anything but genuine, something starts to happen in the wings. The curtain goes up, the lights go down and you’re off – off to that land of chaos, magic, satin, glitter and glitz, where nothing is real. You encounter a beautiful princess, a handsome prince, perhaps a genie or fairy godmother, a clown who keeps tripping up, two ends of an animal costume and some sprightly young dancers.

An ample-bosomed Dame – who often looks better than you on a good day – points out to the audience, hands-on hips – animated and proud – and keeps the show, and the gags, on the road. The villain – boo! hiss! – is dressed in black velvet and has your youngest hiding behind their hands but loving them at the same time.

You stomp, you shout, you tell them “He’s behind you!”, you laugh, you groan. You sing, you clap, you watch, you join in, and you chuckle at something that has made the Dame crease up. You pity the poor bloke two rows in front who gets mercilessly picked on and then cheer at his good-sportiness as the audience applaud. You sneak a peek at everyone in your group and you notice one thing: they are all, bar no one, absolutely caught up in the moment.

You find yourself caring that the leading character reaches their goal and lives happily ever after. You want the villain to learn a lesson and become a better person. You believe in the power of community and people working together to make a dream come true. You look around and see the same hope, joy, and wishes on everyone’s face. Pantomime is a universal, unifying experience and the joy is contagious.

At the interval, the clamber for the loos and refreshments is a messy one. Everyone discusses their favourite character, that bit that happened that clearly wasn’t in the script, the Dame’s eyelashes that look like spiders and the brilliant dancing. The fact Evie from child number 1’s class is sitting two rows behind. The noise is heightened, the excitement palpable.

The second half starts with gusto and you’re off again. The set has changed from a forest to a castle. Everyone has a different costume on, especially the Dame, who is now on her fourth outfit of the evening. There’s a touching moment when the clown and the leading light, fed up with being misunderstood by everyone else, vow to be BFFs. There’s more laughs, more slapstick, more props, more getting up and singing along – more fun, more games. There’s a moment when the leading couple find each other, against all the odds, and everyone breathes a huge sigh of relief. It’s all going to be OK.

The finale is here. The part where everyone is on stage at the same time, where a wedding may or may not take place. Where the princess looks the prettiest she has ever looked, the prince the most handsome. The costumes have changed again. The Dame makes another grand entrance; this time in her biggest, flounciest wig. The villain is welcomed, having changed for the better, learned the error of their ways. The silliest song gets sung again (and again) and you get on your feet and all join in. You catch your teen’s eye and they smile a real smile, a child again in an unguarded moment.

You wave, clap and whoop as the cast take their bows. The lights go up, the curtain falls, you gather up your brood and weave through to the exit. Two hours of escapism now over as you head back home – tired and happy, with a ringing in your ears. Another family memory made – and that repetitious song inside your head till spring…

Ropetackle Arts Centre, Shoreham-by-Sea, W. Sussex is a vibrant performing arts venue that prides itself on being family friendly.

Find out more at www.ropetacklecentre.co.uk

Nov 10
Love0
Lion king actor

More than just a story… The importance of drama

By Christmas, dance & Art, Education, family, Music and singing, Theatre

by Jess Wittert
Prep School Head of Drama, St Catherine’s Prep School

Each summer term, many primary and prep schools end their Year 6 KS2 journey with a public performance of a musical, play or even a pantomime. This is not because teachers have run out of curriculum content at the end of Year 6, or that we want all students to go on to be actors! So, why has this become a convention? In short, ‘putting on’ a play can be an incredibly rich learning experience for young people, whilst it is also an opportunity to stretch and challenge students in a range of capacities.

Stories have an important place in helping children and adults alike to understand the world we live in. Through stories we are invited to explore different cultures, characters, relationships and emotions. We can travel to new places and realms. They aid us in evolving an enhanced appreciation of ourselves and the roles we can adopt amongst our peers. Every year, I choose the story that my students will discover through our production with great care. Often, coming-of-age tales seem incredibly relevant; stories where characters go on rich adventures, face complex challenges and have no choice but to learn and grow from their mistakes. Tales where characters must work together to achieve a common goal, or where children’s voices hold important messages that are heard by the adults around them are also subjects that young people connect with and are inspired by.

If every opportunity is seized, there is wonderful scope for creating a powerful cross-curricular approach to developing a show. By learning about the literature, history, art, music, and dance that surrounds a story, we cultivate an appreciation for traditions, beliefs, design and stagecraft. As part of the preparations for our school’s recent production of The Lion King this term, the girls studied the patterns, designs and colours used in African prints before creating their own designs for fabrics, masks and marketing materials. They studied each character in the script and crafted symbols and emblems to represent them; meticulously forming links between characters who were related or belonged to the same group. Later, these were hand printed onto fabrics using block printing techniques so that they could finally be made into the cast’s costumes. Through workshops with external educators, they learnt about the importance and significance of symbolism in Adinkra printing; the rhythms and collective energy used in African drumming; and the storytelling techniques, as well as traditional movements, that can be generated through dance. We focused on the importance of recycling materials and made masks and props out of plastic milk bottles. This process was amazing – our girls were captivated by the transformation achieved with these simple objects. In addition to this, by singing songs in African dialects, we enhanced our understanding and appreciation of sounds and languages. The opportunities for extending the students’ learning through stimulating and interlinked topics are boundless.

One of the most significant aspects of all the productions that I have been privileged enough to be involved with has been the way in which the whole school community comes together to contribute towards the show. All who take part bring their own zeal, interests and attributes; we encourage everyone to become involved in an aspect of the show which they are passionate about or challenged by. Not all students, for example, want to take part as performers so they choose to acquire talents as stage managers, puppeteers, or technical assistants. Watching everyone discover what they can achieve as part of these ventures is brilliant.

It is always my hope to inspire confidence in all my students so that they leave the prep school feeling that they can achieve anything that they set their minds to. By working together as a large team with their peers, teachers, parents and helpers, they appreciate that a broad breadth of skills should be brought to any project. That being part of a community, creating links in one’s learning and sharing rich experiences is not only life enhancing but also empowering.

Before our most recent production, an 11 year old student came to my desk. “Thank you,” she said, “I really didn’t want to do it but now, it’s my destiny.” She was referring, rather effusively, to our recent Year 6 theatre production and her calling to be part of future theatrical casts. Why was she so gushing, you may ask? One could make many assumptions as to where her enthusiasm stemmed from, but simply, the experience of being part of an ensemble cast, rehearsing, crafting and performing our musical had given her a deeper sense of self-confidence, a keen interest in stagecraft, a wonderful feeling of accomplishment and team spirit, whilst she had learnt a great deal. Yet, most importantly, the event had brought real joy. Understandably, she wished that she could relive this process all over again, moving from perceived dread to elation!

“I’m going to audition for everything I can,” were the last words my student said to me as she left my desk. What a wonderful metaphor for life.

St Catherine’s Prep extend a warm welcome to parents who would like to see what this actually looks like here at St Catherine’s, Bramley with regular Open Mornings. Please visit our website for further dates and information www.stcatherines.info

Nov 07
Love0
dicvk whittington actor

Is live theatre the key to empathy and academic achievement in children?

By Christmas, dance & Art, family, Music and singing, Party, Theatre

by Summer Jeavons
Yvonne Arnaud Theatre

During the past few years countless children have missed out on trips to the theatre – whether with their family or on school trips – due to the Covid-19 pandemic. Many things have changed during that time, but can we afford to let children and young people miss out on the experience of seeing live theatre? Dr Natasha Kirkham, a professor in Developmental Psychology at Birkbeck University doesn’t think so. She conducted a study in 2017 which that found taking children to see theatre can significantly positively affect their academic performance as well as allowing them to develop their social, emotional and cognitive skills.

In terms of the benefits of theatre on academic achievement and comprehension of set texts, seeing a play live in the theatre rather than on a screen has been found to improve children’s academic performance and engagement with set texts, as well as allowing them to achieve a deeper understanding and appreciation of the material. A two-year study conducted by the Brookings Institute found that increases in arts learning, such as engagement with theatre, significantly affect students’ school engagement, university aspirations and their likelihood of drawing on works of art as a means of empathising with others.

Exposing children and young people to theatre was also found to be a powerful tool for facilitating their self-efficacy (an individual’s belief in their capacity to act in the ways necessary to reach a specific goal) to promote positive social change, improving their ability to discuss complex and difficult subjects as well as developing their empathy.

Children’s empathy and emotional intelligence are developed through everyday interaction but they are also nurtured by music, books, and in particular, watching live theatre performances. When watching characters interact on stage, we as the audience connect with them and experience what they are thinking and feeling as if we were thinking or feeling it ourselves – we are practicing how to understand others. Having a safe space to explore difficult emotions is essential to strengthening empathetic muscles and live theatre provides the perfect platform for this. Bill English, founder of the San Francisco Playhouse, states that: “Theatre is like a gym for empathy. It’s where we go to build up the muscles of compassion, to practice listening and understanding and engaging with people that are not just like ourselves. We practice sitting down, paying attention and learning from other people’s actions. We practice caring.”

Theatre nowadays is more accessible to children and young people than ever. With shows to cater for all ages – from theatre designed for babies and toddlers, to stage adaptations of the nation’s favourite children’s books – the world of the stage is increasingly one that children and young people are welcomed into and inspired by. For older children and teenagers, theatre can start to rationalise and provide context to the complex world around them, often representing their own experiences and allowing them to feel heard and that their voices have value. At a time when they are likely to be struggling to establish their identity, theatre can be absolutely invaluable.

Taking your family to the theatre can be a fantastic way of making lasting memories and spending real quality time together. For children (and grownups!) going to see a play feels like something special, something out of the ordinary. Whether it’s the grandeur of the building itself, finding your red velvet seats or begging for a tub of ice cream in the intermission, the experience of going to the theatre is something unique before the play has even begun.

And when it comes to Christmas, there’s nothing quite as magical as taking the kids along to see a festive pantomime. Local pantos have become an institution for many families, coming along every year for adventures with all the sparkles, songs and slapstick silliness you could ask for with everyone from children to grandparents in tow! At a time when everyone is being brought together, there’s nothing quite like a panto to get the whole family humming festive tunes and full of cheer ready for the big day. With true love, a comedy dame, a grand adventure, spectacular dance routines and a heart-warming moral at the core of the story, there’s something for everyone.

Whatever age your kids are, there is always something valuable to be found from seeing theatre. Whether it’s engaging their imaginations and allowing them to dream, opening their minds to others’ perspectives or helping them to engage with and enjoy the texts they are studying at school, the experience of seeing live theatre is unequalled.

The magic of pantomime is something the whole family can enjoy and at the Yvonne Arnaud Theatre it’s always wonderful to see multi-generational families in the audience. The theatre has lots of upcoming family shows, including festive panto Jack and the Beanstalk! www.yvonne-arnaud.co.uk

 

 

Aug 08
Love0
nursery job

Does anyone want a job?!

By Education, Music and singing, Playing, Work employment
by Sally-Ann Potter
Potter’s House Preschool and Forest School

There was a time a few years ago when the hardest thing about recruiting new staff was sifting through the masses of CV’s emailed to me via Indeed. I’d advertise and within 24 hours I’d have 20-30 applicants and have to scan each application to find the basics I was looking for – it was almost a full-time job just to find someone who fitted the bill. High quality staff was easier when the pickings were strong. Recently though when I’ve lost valuable staff for various reasons, I’ve found recruiting harder than ever. I have had four applicants in a month, two of which didn’t show up to an interview. It’s disheartening.

But even I find myself curious about whether I still have the same drive and passion so I can only imagine many other people in our industry have similar thoughts and feelings. It is by far the most rewarding job I’ve ever done, but often it is thankless, exhausting and the cause of lots of anxiety.

I belong to a brilliant community of practitioners online on a Facebook page called Keeping Early Years Unique, which was set up by a true genius in our field Elaine Bennett. It’s where I go for advice, inspiration and answers and I took to this forum with my concerns over recruitment to see if others were having the same trouble.

The general consensus was ‘YES’. It seems that across the board people are struggling to employ new staff or even maintain staff that were once loyal and dedicated. I had a small idea of why this was happening – a minimum wage job that requires constant and consistent attention and returns very little in the way of perks unless you count the natural immunity to illnesses your body has developed from years of being licked and coughed on by toddlers. We really do seem to have cast iron constitutions, don’t we?

The passion has somewhat dispersed in the past few years with the pressures of maintaining standards during the pandemic while not being recognised for our efforts in helping keep the country going. So many practitioners were expected to work through the pandemic continuously putting themselves at risk with very little acknowledgment at all – expected to fund and provide their own PPE and with little regard to the heightened pressure they were under. It was always going to leave people feeling a little bit unhappy.

On top of that, the anxiety driven stress surrounding Ofsted inspections heightened when the new reforms came in. The feedback from many settings was that inspections didn’t go as well as usual and ratings were lower but staff felt like they had been working harder than ever. A quote from a nursery room leader said: “It was like when you’ve spent all day cleaning and keeping house for your family while working an eight hour day from home and home schooling your children, you’ve made a delicious meal that your toddler ate happily last week and instead he spits it all on the floor and screams that he wanted something else – except he doesn’t know what.”

Throughout the pandemic children’s development has suffered in ways we couldn’t have expected – their social communication being the biggest cause for concern but I’ve also noticed a rise in children as young as two years old suffering from intense anxiety but often without the ability to process why or the vocabulary to say how they’re feeling. This seems to be as a direct result of being born into a pandemic causing untold worry to mothers who had no support from professionals and isolation from family members. It was always going to affect children massively, we just didn’t necessarily predict it early enough. With all this added concern, the job takes on a brand new meaning, the workload/mental load triples and the wage remains minimum. I get it, I really do appreciate why so many people are saying they’d rather work in a supermarket for more money and less stress.

But hold on because on the flip side of all the negativity is opportunity. If there’s one thing we know as practitioners it is that we have the potential to make the world of difference to children all over the country – and we do. The child who can’t settle, the child who finds social situations overwhelming, the child who draws his feelings instead of using language, the child who hits out, the child who needs constant reassurance – they all still go to school confident, resilient, bright and brilliant little people – because we did our job and we did it well.

“Don’t be afraid to take on big challenges. They give the best rewards.” – Spencer Christensen.

Now, does anyone want a job because I’m still looking?

For more information please contact Sally-Ann at sallyann@pottershousepreschool.co.uk or call 07375 379148 www.pottershousepreschool.co.uk

Mar 15
Love0

Singing with small children – seven simple strategies!

By Education, fun for children, Music and singing, parties, Party, play, Playing, Uncategorized
by Sarah Marsh BSc, ALCM
Director for Musical Bumps

So let’s start with the ‘why’ and move on to the ‘how’. Why on earth should we sing to/with our children? My own mum (she’s 84 and doesn’t live round here – so she won’t be reading this unless I’m very unlucky!) can’t sing for toffee. It’s quite painful asking her to sing, and she mostly avoids it – singing to babies or at church is her limit. My own anger at her teacher telling her she couldn’t sing – this is back in 1942 – is still bubbling away, but that’s another story…

Anyway, why does my non-singing mum still sing to babies? Deep down, she probably knows that singing is the very best thing to do with babies. Babies hear language in their musical brains – they hear all that talking, cooing and singing as music (and they won’t care if you are a bit out of tune – so just go for it). Think about it for a moment – music has patterns that are clearer and more distinct than speech, music has intonations that are better defined than speech. If we want our children to be good communicators, then the absolutely best thing to do is to sing with them.

So – now for the ‘how’. Here are seven simple strategies that might help you get started (or give you new ideas if you are already tunefully chirping!)

1. Back to basics.
Whilst we might want to be bang up to date, there’s nothing wrong with singing some of those old songs (although not the one I learnt when I was little “do you want a cigarette, sir?”!). Humpty Dumpty, Twinkle Twinkle and those ever-spinning Wheels on the Bus are an important part of our heritage. If you are lucky enough to have roots in other cultures, or know family and friends that have, then use their songs too.

2. Can’t remember the words?
Dum di dum di dum will do just as well. My father was known to his nieces as ‘uncle boom boom’ because every song started well and ended up as boom di boom di boom. It’s not just about the words, it’s about the game, the interaction and the steady beat!

3. Join a group!
It’s great to have a repertoire of songs for every occasion – joining a music class really helps with this! Great too for making new friends with similar aged children.

4. Sing your way through the day…
Have you got a ‘hello’ song to greet your child with every morning? No? make one up – quickly! What about a ‘tidy up your room’ song – that would be useful, don’t you think? Singing about what you are doing is a great way to involve your child too, just gets a little embarrassing at the supermarket!

5. Transactional singing This call and response style is used right across Africa. It’s a great way to use music to build communication. If your baby has some favourite little noises, try copying them – a conversation (of sorts) will ensue – it’s fun, if a little silly. Once the game is established, you can try starting it – with
real words this time!

6. Can’t sing, won’t sing? Oh, go on – no? Okay try some rhymes instead. Humpty Dumpty works just as well (even better maybe) without the tune. The pattern and intonation of your voice will be just as useful!

7. Be a bit silly and be a bit rude!
Don’t worry if you divert from real words – sing or play around with this rhyme and your own name. “Anna fifanna, sticklanna bombanna, sticklanna fifanna that’s how you spell Anna!”

And remember that anything to do with wees, poos or farts is hilarious when you are tiny, “beans beans, good for your heart, the more you eat the more you…” well, you get the drift!

Sarah Marsh is a music teacher and advisor working in primary and early years music across the UK. Sarah founded and directs Musical Bumps www.musicalbumps.com with classes in Sussex from newborn to starting school. Please contact Belinda McBride on 07582 256957 for more information.

Mar 09
Love0
Music and babies

Benefits of musical toys for babies and how to make your own

By dance & Art, fun for children, Mental health, Music and singing, play
by Ellie Mckinsey
www.knowyourinstrument.com

If you recall your childhood years, you may remember that nearly any object – anything at all – can become a toy. A ruler or a rod can suddenly become an enchanted sword or a magic wand, a comb transforms into a guitar, a piece of paper when crumpled enough and tied with string becomes a puppet, even a pet. The possibilities are endless as a child learns to develop creativity and let their imagination soar.

Indeed, the best toys don’t even have to come from a store. A child may leave an expensive stacking toy in favor of crinkly paper, and that’s fine. Anything that sparks imagination, engages the senses and encourages social interaction can be considered a toy. Objects that let children explore new shapes, textures, sounds and colours are great for developing minds and bodies.

Here we’re taking a look at musical toys and what babies can get from playing with them. We’ll also share with you some tips on making your own musical toys for your babies to play with, using stuff you may already have at home. Let’s get started!

Importance of musical toys for your baby
In the first four months of a baby’s life, their emotional, sensory and motor experiences help prepare them for further developmental achievements. At this early stage, babies benefit from sensory toys that involve bright, contrasting colors, textures and pleasant sounds.

Moreover, by four months, babies can already bring their hands together in the middle of their bodies and use their eyes to co-ordinate hand movement. Musical, easy-to-grasp toys such as rattles help build grip and tactile stimulation while stimulating hearing.

By their sixth month, babies can now sit and hold objects with their hands. They start manipulating objects with more controlled movement patterns. At this phase, babies benefit from toys that roll or move and make sounds when touched. This further enhances gross motor skills and sense of hearing, and prepares babies for crawling (watching a baby crawl after a rolling egg shaker is super adorable).

Musical toys that encourage movement also give babies a sense of accomplishment and gratification that would inspire them to create the sounds again and again. It’s like they’re already making their own music! Soon, babies would develop a sense of rhythm, a more refined sense of hearing and more control over their movement.

This mix of motor control and sensory awareness is crucial for your baby’s overall development. The ability to fine-tune movements and notice differences in sounds is important for learning to communicate and later on, play an instrument such as a guitar, piano, viola or the drums.

Tips for making your own musical toys
So, are you ready to get crafty and make your own musical toys? Here are some fantastic ideas to get you started.
• Old or unused pots, pans, large tin cans and plastic bowls are great for beat-making and can be played with or without an object to hit them with (like a wooden spoon).
• Make your own rolling shaker or rattle using empty plastic water bottles. Put small raw pasta shells, marbles or pebbles inside and glue the cap shut.
• Give your baby a tactile and sensory feast by making scrunchy, noisy socks. Remember those socks that have lost their partners? They’re perfect for this project – simply put crinkly wrapping paper in them and close off the ends with a secure and tidy knot. Let your baby scrunch the socks with delight.
• Got an empty tissue box and extra elastic bands lying around? Fashion a string instrument with them!

When making your DIY musical toys, remember to watch out for any potential hazards like small parts, sharp corners or edges, loose strings and toxic materials. Make sure the materials you use are clean and baby-safe. Give your toys a test run before letting your child play with them, and always keep an eye on your baby during playtime. Have fun! –

 

Feb 05
Love0

The perfect musical instrument for little fingers?

By dance & Art, Education, Music and singing, play, Playing

There’s a tiny little instrument that offers a big punch, Al Start from Go Kid Music is singing the praises of the humble ukulele. Let me stop you right there! You were about to turn the page, but hear me out! There are a few really great reasons why this small, innocent looking instrument could be your secret (musical) weapon. Indulge me…

There’s a window of opportunity, while your children are at primary school, to open up their world to music. You have the perfect combination of their brains being right in the ‘learning zone’, their little fingers start to do what their brains tell them (most of the time!) and they are open-minded and naturally curious.

For children of primary school age, I would argue, the ukulele makes a brilliant first instrument. Remember when you were at school? Perhaps not as long ago as I, but there was the good old recorder – a solid standard across the land, waiting for us to blow far too hard during a rendition of London’s Burning in assembly!

If the recorder was not your thing, then maybe it was the violin. Nothing wrong with that, but there’s a tremendous amount of technique to learn before you’re able to get a decent sound that doesn’t resemble a cat crying. For most children this can be a real turn off – a barrier to learning an instrument that could change their life forever. Children need quick results; they need the ‘win’ to encourage them to continue. That’s what makes the ukulele such a champ.

In just one lesson, your child will be able to play at least one song, and it’ll sound good! From there it’s only a matter of learning a couple more chord shapes and they will have the solid foundation to be able to play a wide selection of songs. If they prefer to pick tunes rather than strum chords, with just four strings it’s easy on the fingers, small and light to hold, meaning they can concentrate on learning the notes rather than worry about troublesome technique.

From your point of view as the banker, you’ll find the ukulele gives bang for your buck! You can buy a perfectly decent ukulele with good quality (Aquila) strings and a carry bag for under £25! Plus as the faithful audience member, you’ll appreciate how mellow the ukulele sounds (unlike it’s feline counterpart) while you paint that smile on and listen to Smoke on the Water for the 12th time!

What about lessons? Many schools and music services now offer ukulele clubs for free, there’s usually a keen teacher who will lead lunch-time or after-school uke club! Paid lessons are in small groups which make them fun and affordable.

YouTube has a plethora of free tutorials, and just searching the word ‘ukulele’ plus the song title your child fancies will bring up endless options.

There’s always a downside to playing a stringed instrument – you do have to tune them! To start with, the ukulele will need you to help it stay in tune. But don’t worry, there are many options. You can download a tuner app to your phone for free, find an online tuner that plays the note of each string for you to match, or you can buy a small clip-on digital tuner for under a fiver. So, don’t fall at the first hurdle. Persevere, and your ukulele will stay in tune.

The last of my favourite perks of your child learning the ukulele is that you can learn along with them. There is no excuse to mourn your lack of persistence with the violin any more. The ukulele makes an ideal shared activity, especially if you plump for online lessons. You can spend quality time with your child as well as being the next Von Trapp family and the life and soul of your next family gathering!

Handily, the ukulele comes in a range of sizes to suit us all. The smallest (soprano) is ideal for most children, the next size up is the ‘concert’ which is fab for growing hands and smaller adults. The ‘tenor’ is perfect for guitarists and those of us with bigger hands – I prefer a tenor uke as I was initially a guitarist, but I also love the concert size. They come in every colour under the sun – but do get the good strings already fitted as I mentioned earlier. I find the Mahalo M1 soprano range to be a great starter ukulele (no, I’m not an affiliate I just rate them) they tick all the afore-mentioned boxes and are widely available online.

So, I hope I’ve given you food for thought. If there’s a gift-giving opportunity on the horizon, perhaps you could give the gift of music (and treat yourself at the same time)!

Having taught ukulele in schools for over a decade Al Start has perfected the art and packaged it into one super-cool family-focused club! The Go Kid Ukulele Club features online lessons taking you from total beginner to ukulele hero at your own pace, for the price of just one ukulele. Check them out here: https://club.gokidmusic.com

May 07
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Swim-Little-Fishy-Swim-Group-Photo

Sing, play… and learn!

By Education, fun for children, Music and singing, parties, Uncategorized
by Al Start
www.gokidmusic.com

When our children are babies and preschoolers their lives are full of music – songs, nursery rhymes and bedtime lullabies. But when they start school, they seek songs that aren’t ‘babyish’. From the age of five to 10 children still need great songs to inspire them until they are old enough to find their own style.

Does your child struggle to learn in a conventional way? Even if they don’t, music and singing can play a huge part in supporting and even improving learning in subjects such as maths and literacy. Engaging in creative music activities positively affects self-confidence and aspirations. It gives children more motivation and subsequent attainment at school. It even lightens mood, reduces anger and improves behaviour. Handy!

Sadly, we are now seeing more children with mental health issues – even in Key Stage 1. Singing, playing musical instruments, and regularly listening to music are all proven to give significant wellbeing benefits. So music really should be a big part of your family’s daily routine.

As parents, carers and music-lovers, what can we do to help our children continue to develop their love of music?

Talk to your child’s teacher – how much music and singing is your child able to participate in each day? Could they do more? You may be pleasantly surprised.

Play music in your car (rather than give children tablets and gadgets to fiddle with). Singing together is a positive, bonding experience for adults and children alike.

Choose wisely – pick your favourite songs, or listen to the radio – but be aware of what the song is about. What do the words mean to a child? Can they relate? Are they even appropriate? Children listen to words and song lyrics way more that us adults – believe me, it’s all going in – good and bad!

Play soft music in the back-ground at home instead of having the TV on. Chat to your kids about who the song is by, what instruments can they hear?

Spotify is a great source of finding appropriate music for families to listen to together. In the USA they even have a genre known as ‘Kindie Music’ – Kids Indie – independent artists like me making music that is child-friendly and adult-friendly too!

Learn an instrument – another chance to spend a little more quality time with your child is to learn together. My favourite is the (affordable) ukulele. It’s easy for little fingers (I’d suggest from Year 2 upwards) and with just four strings you can play simple songs quickly. Its great fun for adults too!

Music lessons and classes – look in your local area for music projects. You will find basic instrument lessons but also think outside the box, and look up band projects for kids – groups that teach electric guitar, drums, rock/pop singing and so on – very cool and great socially too.

Get singing yourself! We concentrate on our children so much we may have lost touch with music ourselves. Did you used to play an instrument or love singing when you were at school? Get back into it, dude!

The Internet offers us access to amazing online tools to learn instruments, brush-up on old skills and try new things. Search for your favourite music activity and just see what’s out there. If you are inspired, you can inspire your children too!

Al Start is a children’s singer-songwriter and music specialist with 20 year’s experience.She set up her award-winning children’s music company Go Kid Music in 2015 to provide more children, schools and families with great music. Find them online for unique music for your family. Live shows, CDs, downloads, songs for learning/teaching, online music clubs and ukulele lessons. www.gokidmusic.com

 

Apr 11
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trombone playing boy

Talent spotting in schools

By Education, fun for children, Music and singing, Playing

Talent spotting in schools
The difference between scholarships and bursaries

More attention than ever before is being devoted to the significant levels of financial support provided by independent schools, to assist aspirational families on lower incomes. According to the Independent Schools Council’s 2019 census, 34% of pupils educated at independent schools currently receive help with their fees, at a cost of £1bn. The majority of this is provided directly from the schools themselves.

Fee assistance comes in many different shapes and sizes and, as a result, the world of scholarships and bursaries can seem like a minefield to those embarking on the journey for the first time. What can make things even trickier, is that different schools give different names to their individual types of fee assistance. One school might offer a ‘scholarship’ worth 10%, whereas at its neighbour down the road, it might be 50%. It is therefore important to know how to navigate the world of scholarships and bursaries and to establish the difference between them.

At the majority of schools, scholarships will refer to a portion of money off school fees and they will be awarded on merit – the result of a child being an excellent academic all-rounder or brilliant at, for example, art, drama, music, sport, or design technology. They usually (although not always) come with some form of percentage discount on the cost of a child’s overall fees.

Bursaries, on the other hand, are usually hosted by charitable foundations within independent schools and tend to be means-tested places that are offered to an outstanding pupil from a family on a very low income who would never be able to consider providing their child with a private education without the support of a bursary. In most cases, this level of assistance gives life-changing access to talented students who would otherwise never benefit from an independent school education and all that it offers. Being independent, these schools have been able to keep the torch alight for vital areas of the wider curriculum – such as music, the arts, competitive team sports, modern and classical languages – that have so often had to be marginalised in their state counterparts.

The landscape has changed significantly in recent years and it is now more usual for scholarships and awards to attract a very modest reduction in school fees, with larger fee remissions being offered through means-tested bursaries. In the very early stages it is important to establish the detail of the criteria for entry, the maximum scholarship or bursary that a school is prepared to award, and the process that you and your child will need to go through to secure either a scholarship or bursary.

A typical scholarship process could look like this:
• Initial enquiry received by School Registrar who discusses scholarship criteria, any specific examination requirements, for example.
• Families interested in pursuing an application are sent appropriate forms for completion.
• Parents submit completed forms, with child’s most recent school report and reference from current school.
• Application considered and, if successful, child invited for interview.
• Child puts together a portfolio demonstrating their abilities and wider interest in the area for which they are applying for a scholarship.
• Child visits the school with portfolio, is interviewed by the Head, attends interview with the Head of Department and demonstrates their talents, undergoes academic tests, as appropriate.
• Once all applicants are interviewed, candidates are considered by the Head and Heads of Department.
• Scholarships offered according to merit and number available.

While the process for securing a bursary might look like this:
• Initial enquiry received by the School’s Registrar, who discusses the application process and criteria applied.
• Families interested in pursuing their application are sent an ‘Application and Means-Testing Financial’ form for completion.
• The family completes and returns the form with the child’s most recent school report.
• The child’s potential is assessed ‘on paper’ by the Head.
• The family’s financial circumstances are then assessed by the School’s Bursar or an independent financial assessment company.
• If successful, the child’s parents or guardians are interviewed by the Head.
• If successful, the child attends an ‘experience day’ at the school, is interviewed by the Head, is academically assessed and is given the opportunity to demonstrate their particular talents to relevant Heads of Department (maybe art, drama, DT, music or sport).
• If successful, the family might be visited at home.
• If successful, the Head might put forward short-listed candidates with recommendations for consideration by, and confirmation from, Charity Board.
• Foundation Scholarship places offered, as appropriate.

Probably the most important thing for any parent or guardian interested in applying for a scholarship or bursary for their child or charge to remember, is that they should not worry about approaching their school of choice and openly discussing the opportunities available. There is no such thing as ‘saying the wrong thing’ and it may well be that their child is exactly the kind of student that a school is looking for. The important thing to realise is that the schools are as keen to support talented children with bursaries and scholarships – provided
they match their criteria – as parents or guardians are to secure them.

Christian Heinrich is Headmaster at Cumnor House Sussex in Danehill. He set up The Cumnor Foundation which offers 2 means-tested bursaries each year that cover the entire cost of a talented child’s education for ten years from the age of 8 to 18, in collaboration with sixteen independent senior school partners. www.cumnor.co.uk/cumnor-community/the-cumnor-foundation/
For further information please contact Cecilia Desmond, Registrar at Cumnor House Sussex on 01825 792006 or email registrar@cumnor.co.uk. www.cumnor.co.uk

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